Conversations & Events
Honestly, I never meant The Art of the Read to be delivered as instruction.
It was meant to be entered as a conversation. And I will like it to stay that way.
One, because as a non-literary person who makes does with gawky grammar at times, I'll be terribly incompetent at the job. Two, more importantly, the ideas in this book travel best in rooms where thinking is taken seriously - where people are willing to slow down, disagree thoughtfully, and examine how books, ideas, and attention shape judgment over time.
That's exactly why I've chosen my work in conversations and events to never focus on teaching reading as a skill, but instead, on using books as a lens to explore how minds are formed, strained, and rebuilt in contemporary life.